Monday, June 02, 2008

Communists are just Part-Time Workers



The neglected Measures Taken will be given a rare reactivation, as repository for a few recent academic papers and other such things: first, my paper for the Salford Fall conference Messing up the Paintwork. Obviously even for such a seasoned dabbler, this isn't my usual area, so is pretty shaky, even after some extensive rewriting, and is basically not much more than footnotes to K-Punk's essential essay-series on MES. Although it cleaves to the Dragnet-to-Perverted-by-Language-are-the-masterpieces line (which I only mostly adhere to - the John Leckie stuff is a bit too much like normal music, but I hold Levitate, The Unutterable, and even the new one in high esteem, though they become a very different beast by this point, less about brilliant texts and more about cadences and aphorisms) the title is from 1992's 'The Birmingham School of Business School', a fantastic song which is alas entirely irrelevant to the paper.

12 Comments:

Blogger Biggie Samuels said...

"The John Leckie stuff" - as you call it - is, in fact, the absolute pinnacle of human culture.

I have spoken!

6:22 am  
Blogger owen hatherley said...

Meh. 'My New House' and 'Spoilt Victorian Child' are OK. I quite like bits of Bend Sinister too, but you know, choruses, middle eights, verses, melody, vocals and basslines low in the mix...it's just not right...

1:36 pm  
Blogger Biggie Samuels said...

Fail! A vinyl copy of Wonderful and Frightening is the most important material item a person can posses.

History will prove me right!

Obviously, there's an element of kidding here but I am trying to provoke some serious consideration of this work.

First of all, I don't think there's anything very conventional about Leckie-era Fall. Sure, it works as "good" rock music (the best!) but I still feel that it's startlingly unique stuff.

If anything, Wonderful and Frightening simply marks the point where Smith managed to assemble a band capable of producing music as multi-layered and textured as his lyrics.

We shouldn't (ahem) fall into the trap of expecting The Fall's music to be simply an amusical grind onto which us smartypants bloggers can project our complex theories. Leckie-era Fall may not align with your expectations of the "right" Fall sound but that's hardly the band's problem.

Anyway, I can't believe that 30 seconds of "Lay of the Land" wouldn't make a nonsense of even the most deeply ingrained and cherished preconceptions.

There are other specters at play in the overall critical indifference to this essential period of the band's output - mostly stemming from old-school rockism: the misogynist's belief that Brix ruined The Fall; the fear of the producer's artifice. Obviously, this isn't the time or place to go into too much depth.

I liked your essay, though.

You like Levitate??? Ah well, I'm a big Light User Syndrome fan.

6:13 am  
Blogger owen hatherley said...

Misogyny - not really, I far, far prefer what Julia Nagle did with the Fall sound (making it messier, more electronic, more fragmented, with sudden unexpected bits of poignant melody) to what Brix does (making them sound like a rock band). I quite like Wonderful & Frightening and its ilk, I enjoy it more than most other things by other people, but it does lack a certain essence of Fall for me, yes. And MES' disdain for Leckie would back me up!

3:03 pm  
Blogger Biggie Samuels said...

Just to clear one thing up - I certainly wouldn't accuse you of being a misogynist, I was just referring to an indisputable underlying misogyny in trad rock-crit. I wouldn't accuse you of being an unreconstructed rockist either.

I like Julia Nagle too. Underrated!

As for Leckie - for years Smith would tell anyone who'd listen that John Leckie was a maverick genius. But then he also said that if Steve Hanley ever left The Fall, that would be the end of the band. Smith and Leckie fell out when MES insisted on having Bend Sinister mastered from a cassette tape. Doubtless, Smith has nothing but scorn for Leckie these days but you could say that about anything.

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